Aubrey Beardsley and British Wagnerism in the 1890s The Imperfect Wagnerites

by
Format: Hardcover
Pub. Date: 2002-12-05
Publisher(s): Oxford University Press
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Summary

This volume is an interdisciplinary study of the influence of the operas, writing, and personality of Richard Wagner (1813-1883) on the work of Aubrey Beardsley (1872-1898). In exploring Beardsley's often iconoclastic versions--or perversions--of Wagner's work Aubrey Beardsley and British Wagernism in the 1890s aims to investigate the role of Wagnerism with "fin-de-siècle" British culture, in particular the relations between Wagnerism and contemporary decadence.

Author Biography


Emma Sutton is a freelancer writer and tutor

Table of Contents

List of Figures
x
Introduction: Wagnerism in Britain in the 1890s 1(23)
Decadents and Wagnerites: Beardsley and Wilde
24(33)
The Pathology of Pleasure: Decadent Sensibility and Affective Art
57(31)
Wagnerites En Masse: The Audience as Spectacle
88(29)
Commercialism and Consumerism: Wagnerism in the Savoy
117(26)
Antiquarianism and National Identity: Under the Hill
143(22)
Concluding the Cycle: Das Rheingold
165(28)
Epilogue: Framing the Decade 193(7)
Select Bibliography 200(19)
Index 219

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