| Foreword |
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ix | |
| Preface |
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xiii | |
| Introduction |
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xv | |
| I THE HISTORY OF BALLET |
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1. Let the History Begin... |
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3 | (8) |
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2. Le Ballet: A Man's World |
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11 | (4) |
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3. Ballerinas and the Danse d'École |
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15 | (7) |
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4. Gentle Women and Gentle Men of the Ballet |
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22 | (6) |
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5. The Pre-Romantic and Romantic Eras |
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28 | (7) |
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6. French Art in Danish and Russian Quarters |
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35 | (5) |
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7. Grand Pa Petipa and His Empire |
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40 | (7) |
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8. Russia Surpasses France |
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47 | (4) |
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51 | (9) |
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10. Ballet's Roving Ambassadress |
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60 | (3) |
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11. Nijinska and Neoclassicism |
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63 | (3) |
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12. George Balanchine in Europe |
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66 | (6) |
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13. Ballet Takes Root in Britain |
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72 | (6) |
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78 | (6) |
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15. Paris, Opera, and Ballet |
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84 | (6) |
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16. Soviet Russia, Nureyev, England, and the World |
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90 | (8) |
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17. Rudi in England and Around the World |
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98 | (4) |
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18. America, Ballet, and Balanchine |
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102 | (5) |
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19. America, New York City, and Ballet |
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107 | (5) |
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20. Beyond the Paris Opera and Beyond Paris |
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112 | (4) |
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116 | (4) |
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120 | (3) |
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23. At War and Peace with Modern Dance |
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123 | (4) |
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127 | (4) |
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131 | (3) |
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26. Leading Male Dancers Lead |
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134 | (3) |
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27. Harlem, Cuba, China, Japan, South America |
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137 | (4) |
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28. Post-Script: Dancers, Dancers, Dancers |
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141 | (4) |
| II THE DANCERS |
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1. Ladies and Gentlemen of the Ballet |
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145 | (5) |
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150 | (11) |
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161 | (3) |
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4. Corpsmen and Middlemen |
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164 | (6) |
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170 | (6) |
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6. Corps de Ballet Feminin |
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176 | (5) |
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181 | (6) |
| III LOOKING AT A BALLET |
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187 | (10) |
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2. Ballets Without Stories |
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197 | (5) |
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3. Getting Ballet on the Stage |
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202 | (4) |
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4. Revivals and Resurrections |
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206 | (5) |
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211 | (6) |
| IV THE FAMOUS BALLETS |
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217 | (5) |
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2. Romantic Classical Ballet: Swan Lake |
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222 | (31) |
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3. Popular Beyond Ballet: The Nutcracker |
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253 | (20) |
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4. Classical Classical Ballet: The Sleeping Beauty |
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273 | (25) |
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5. Mature Romantic Ballet: Giselle |
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298 | (27) |
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6. Ballet Embodying the Ideal: La Sylphide |
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325 | (22) |
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7. Ballet of Mood: Les Sylphides |
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347 | (12) |
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8. Romantic Turning Classical: La Bayadère |
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359 | (23) |
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9. Renewing Classicism: Apollo |
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382 | (15) |
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10. Neo-Romanticism, Neo-Primitivism, and Neoclassicism: Diaghilev's Ballets Russes Triple Bill |
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397 | (22) |
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11. Sunny and Funny and Fine: La Fille Mal Gardée |
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419 | (29) |
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12. Romantic: Small "r" Big Emotions: Romeo and Juliet |
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448 | (33) |
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13. Pushing and Shoving Ballet a Bit: Push Comes to Shove |
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481 | (18) |
| Glossary of Ballet Terms and Phrases |
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499 | (32) |
| Videography |
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531 | (60) |
| Selected Bibliography |
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591 | (16) |
| Acknowledgments |
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607 | (2) |
| Index |
|
609 | |