| Preface |
|
ix | |
| Acknowledgements |
|
xi | |
| Section One: The Experience of the Great War, 1914-18 |
|
1 | (62) |
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Opening Pandora's Box: The Battle for Control of British Propaganda, 1914-18 |
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5 | (30) |
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6 | (5) |
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The Bureaucratic Battle for Power |
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11 | (6) |
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17 | (4) |
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21 | (3) |
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Intelligence, Propaganda and Foreign Policy |
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24 | (3) |
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Elite versus Mass Opinion |
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27 | (8) |
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Targeting Elite Opinion: The War Propaganda Bureau at Wellington House, 1914-17 |
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35 | (14) |
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Targeting the American Elite |
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35 | (3) |
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38 | (3) |
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41 | (2) |
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The Legacy of Wellington House |
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43 | (6) |
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Targeting Mass Opinion: Crewe House, Psywar and British Propaganda against the Central Powers in 1918 |
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49 | (14) |
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The Politics of Propaganda |
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49 | (4) |
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Psywar Origins: The Snake |
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53 | (1) |
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54 | (2) |
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Another Rabbit: Austria-Hungary |
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56 | (2) |
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58 | (5) |
| Section Two: The Dawning of `Public Diplomacy' in the age of Mass Communications, 1919-39 |
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63 | (88) |
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The Projection of Britain Between the Wars |
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66 | (22) |
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Forfeiting the Initiative |
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67 | (6) |
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73 | (3) |
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76 | (2) |
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78 | (10) |
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A Call to Arms: Psychological Rearmament |
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88 | (26) |
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The Politics of British Rearmament |
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88 | (2) |
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Propaganda and Democracy, 1918-35 |
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90 | (3) |
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Public Opinion, Rearmament and the Media |
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93 | (2) |
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95 | (2) |
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97 | (3) |
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The Preliminary Phase, 1934-35 |
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100 | (1) |
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The Second Phase, 1936-38 |
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101 | (6) |
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107 | (2) |
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109 | (5) |
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Handling the Unavowable: Propaganda and Psychological Warfare, 1935-40 |
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114 | (37) |
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115 | (1) |
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116 | (5) |
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The Munich Dress Rehearsal |
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121 | (2) |
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'An Improper Use of Broadcasting'? |
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123 | (3) |
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126 | (2) |
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International Broadcasting |
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128 | (3) |
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The Shadow World of Black Propaganda |
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131 | (5) |
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136 | (3) |
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139 | (12) |
| Section Three: Total War and Total Propaganda, 1939-45 |
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151 | (74) |
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Blue-Pencil Warriors: The British Wartime Censorship System, 1939-45 |
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153 | (23) |
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The Other Side of the Coin |
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153 | (7) |
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The Mechanics of British Censorship |
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160 | (1) |
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The Mol and Fleet Street: Press Censorship |
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161 | (3) |
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The Mol and Wardour Street: Film Censorship |
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164 | (4) |
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The Mol and Broadcasting House: Radio Censorship |
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168 | (3) |
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171 | (5) |
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Film as a Weapon during the Second World War |
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176 | (16) |
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177 | (3) |
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180 | (2) |
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182 | (3) |
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185 | (2) |
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The Golden Age of British Cinema |
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187 | (5) |
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`Breaking the German Will to Resist': Allied Efforts to End the Second World War in Europe by Non-Military Means, 1944-45 |
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192 | (33) |
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193 | (2) |
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Allied Psywar Organisation and Capabilities in 1944 |
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195 | (5) |
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200 | (2) |
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Ongoing Allied Psywar Activities |
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202 | (2) |
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New Initiatives: Periwig and Matchbox |
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204 | (4) |
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Other Initiatives: Casement and Capricorn |
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208 | (3) |
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The Capitulation of Germany |
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211 | (2) |
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213 | (12) |
| Section Four: Propaganda and Decline in the Post-war World, 1945-91 |
|
225 | (33) |
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Power, Public Opinion and the Propaganda of Decline: The British Information Services and the Cold War, 1945-57 |
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227 | (16) |
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228 | (1) |
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A Permanent Information Policy |
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229 | (4) |
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233 | (3) |
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236 | (7) |
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The Enduring Tensions of Democratic Propaganda in the Information Age |
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243 | (15) |
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The Advertising Age and Popular Culture |
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243 | (6) |
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249 | (2) |
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The Falklands War of 1982 |
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251 | (2) |
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253 | (5) |
| Conclusion: The New Propaganda: Psychological and Information Operations |
|
258 | (3) |
| Bibliography |
|
261 | (9) |
| Index |
|
270 | |