Crowds

by ;
Edition: 1st
Format: Hardcover
Pub. Date: 2006-09-30
Publisher(s): Stanford Univ Pr
Availability: This title is currently not available.
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Summary

Crowdsexplores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern assemblies as compared to their premodern and ancient counterparts, modern sports crowds, human multitudes and mass media such as photography and cinema, crowds as political actors, and the emergence of crowd-centered discourses in social sciences such as psychology, anthropology, and sociology. Contributors include Stefan Jonsson, Allen Guttmann, Susanna Elm, John Plotz, Christine Poggi, William Egginton, Haun Saussy, Joan Ramon Resina, and Charles Tilly, with testimonies by authors such as Greil Marcus, Richard Rorty, Michel Serres, Alain Schnapp, Michael Hardt, T. J. Clark, and Susan Buck-Morss. The book represents the main output of one of the Stanford Humanities Lab's prototype "Big Humanities" projects and is supported by an extensive website (http://crowds.stanford.edu) which includes virtual galleries, video capture of the November 2005 Crowds seminar, and a database of early social science readings on modern crowds.

Author Biography

Jeffrey T. Schnapp is Director of the Stanford Humanities Laboratory. He is the author, most recently, of Building Fascism, Communism, Democracy: Gaetano Ciocca—Builder, Inventor, Farmer, Writer, Engineer (Stanford University Press, 2003). Matthew Tiews is the Associate Director of the Stanford Humanities Center.

Table of Contents

Introduction: A Book of Crowdsp. ix
Abstractsp. xvii
Mob Pornp. 1
'Turba': Latinp. 30
Bathing in the Multitudep. 35
The Invention of the Masses: The Crowd in French Culture from the Revolution to the Communep. 47
'Mass': English (French, German)p. 56
Ceremonyp. 60
Crowd Politics: The Myth of the 'Populus Romanus'p. 77
'People': Englishp. 88
Compactings and Looseningsp. 91
Intimacy and Anonymity, or How the Audience Became a Crowdp. 97
'Crowd': Englishp. 104
The Crowd Laughsp. 107
Sports Crowdsp. 111
'Multitude': Englishp. 124
Rolling Stones Play Free Concert at Altamont Speedway, December 6, 1969p. 128
Captive Crowds: Pilgrims and Martyrsp. 133
'Hamon: Hebrewp. 142
Beyond the Blindfoldp. 145
Movies and Massesp. 149
'Samuuha': Sanskritp. 151
Dolores Park, Dyke March, June 2002p. 154
Mass, Pack, and Mob: Art in the Age of the Crowdp. 159
'Mob': Englishp. 186
Crowd Writingsp. 191
The Return of the Blob, or How Sociology Decided to Stop Worrying and Love the Crowdp. 203
'Foule,' 'Folla: French/Italianp. 216
My Summer of Solitudep. 219
From Crowd Psychology to Racial Hygiene: The Medicalization of Reaction and the New Spainp. 225
'Gente': Spanishp. 240
Take Itp. 243
Crowds, Number, and Mass in Chinap. 249
'Zhong': Chinesep. 262
Crowd Controlp. 265
Market Crowdsp. 271
'Ochlos': Ancient Greekp. 278
Barneys New York: The Warehousep. 280
WUNCp. 289
'Csod,' 'Tomeg,' 'Csodtomeg': Hungarianp. 300
Protest Crowdsp. 303
Far Above the Madding Crowd: The Spatial Rhetoric of Mass Representationp. 307
'Tolpa': Russianp. 328
Crowd Experiencesp. 332
Far from the Crowd: Individuation, Solitude, and 'Society' in the Western Imaginationp. 335
'Vulgus': Latinp. 354
MLK Rallyp. 357
Agoraphobia: An Alphabetp. 359
A Singular Month of Mayp. 361
Crowds as Tear-jerking Opportunitiesp. 369
Afterwordp. 377
Notesp. 379
Indexp. 427
Table of Contents provided by Ingram. All Rights Reserved.

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