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xv | (4) |
Preface |
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xix | |
PART ONE SONG IN A STRANGE LAND 1619-1775 |
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3 | (60) |
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3 | (20) |
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4 | (16) |
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The Role of Music in Society |
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4 | (1) |
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Occasions for Music Making |
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5 | (3) |
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8 | (1) |
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Musical Instruments and Performance Practice |
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9 | (7) |
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16 | (2) |
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18 | (1) |
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19 | (1) |
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20 | (3) |
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From Indentured Servitude to Slavery |
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20 | (1) |
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African Retentions in the New World |
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21 | (2) |
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23 | (40) |
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23 | (2) |
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PRIMARY SOURCES OF INFORMATION |
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25 | (3) |
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25 | (2) |
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27 | (1) |
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CONGREGATIONAL SINGING: PSALMODY AND HYMNODY |
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28 | (7) |
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Singing in the Meetinghouse |
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28 | (3) |
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Psalm Singing in the Community |
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31 | (1) |
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32 | (1) |
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33 | (2) |
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RELIGIOUS INSTRUCTION AND PSALMODY |
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35 | (6) |
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Patterns of Slavery in North and South |
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35 | (1) |
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Conversion and Religious Instruction in the North |
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36 | (2) |
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Missionary Activities in the South |
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38 | (3) |
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41 | (7) |
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41 | (1) |
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Social Diversions of the Colonists |
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42 | (1) |
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43 | (3) |
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46 | (1) |
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Slave Recreational Activities |
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47 | (1) |
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DEVELOPMENT OF MUSICAL SKILLS |
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48 | (4) |
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SLAVE FESTIVALS IN THE AFRICAN TRADITION |
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52 | (11) |
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52 | (1) |
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53 | (3) |
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56 | (7) |
PART TWO LET MY PEOPLE GO 1776-1865 |
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63 | (160) |
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3 Two Wars and the New Nation |
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63 | (34) |
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BLACK MUSICIANS IN THE ARMED SERVICES |
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63 | (4) |
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64 | (2) |
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66 | (1) |
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THE POST-REVOLUTIONARY PERIOD |
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67 | (4) |
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Musical Activities in the New Nation |
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67 | (1) |
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Black Singing-School Masters |
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68 | (2) |
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Black Benevolent and Fraternal Societies |
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70 | (1) |
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71 | (9) |
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The Earliest Black Congregations |
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71 | (1) |
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72 | (3) |
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75 | (5) |
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INDEPENDENT BLACK DENOMINATIONS |
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80 | (2) |
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81 | (1) |
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Importance of the Black Church |
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82 | (1) |
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82 | (7) |
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Singing in the Camp Meeting |
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84 | (1) |
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85 | (3) |
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Shouts in the Camp Meeting |
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88 | (1) |
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89 | (8) |
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Antecedents of Minstrel Songs |
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89 | (1) |
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Growth of the "Ethiopian" Music |
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90 | (4) |
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Black Entertainers in Ethiopian Minstrelsy |
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94 | (3) |
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97 | (54) |
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BLACK MUSICIANS AND THE GENERAL STATE OF MUSIC |
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98 | (2) |
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100 | (27) |
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103 | (1) |
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104 | (2) |
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Grand Concerts and Concert Troupes |
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106 | (1) |
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107 | (4) |
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111 | (2) |
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113 | (1) |
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Composers in Other Cities |
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114 | (2) |
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116 | (5) |
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Balls and Holiday Celebrations |
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121 | (1) |
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122 | (2) |
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Street Vendors and Itinerant Musicians |
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124 | (3) |
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MUSIC OF THE BLACK CHURCH, I |
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127 | (4) |
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Music in the Worship Service |
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127 | (3) |
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Camp Meetings and Bush Meetings |
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130 | (1) |
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Informal Religious Practices |
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130 | (1) |
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131 | (5) |
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New Orleans--A Musical Center |
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131 | (1) |
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132 | (1) |
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Brass Bands and Orchestras |
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133 | (1) |
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133 | (1) |
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Dance Orchestras and Recreational Music |
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134 | (1) |
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Black Fiddlers and White Dancers |
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134 | (2) |
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AFRICAN TRADITIONS IN THE SOUTH |
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136 | (4) |
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Dancing in the Place Congo |
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136 | (2) |
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138 | (1) |
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139 | (1) |
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THE ANTI-SLAVERY MOVEMENT |
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140 | (5) |
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141 | (1) |
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142 | (3) |
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MUSIC OF THE BLACK CHURCH, II |
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145 | (2) |
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Music Instruction in Sabbath Schools |
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146 | (1) |
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147 | (4) |
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151 | (54) |
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PRIMARY SOURCES OF INFORMATION |
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151 | (1) |
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152 | (1) |
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DAILY LIFE ON THE PLANTATION |
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153 | (3) |
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SONGS OF NARRATION AND SOCIAL COMMENT |
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156 | (5) |
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161 | (6) |
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167 | (8) |
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168 | (3) |
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171 | (2) |
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Other Recreational Activities |
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173 | (2) |
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ENTERTAINMENT FOR THE MASTERS |
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175 | (2) |
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IMPORTANCE OF MUSIC TO THE SLAVES |
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177 | (1) |
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178 | (6) |
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180 | (1) |
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181 | (3) |
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184 | (1) |
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AN ORIGIN FOR THE SPIRITUAL |
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184 | (6) |
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CHARACTER OF THE FOLK MUSIC |
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190 | (15) |
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192 | (3) |
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195 | (2) |
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197 | (2) |
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Poetic Language and Themes |
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199 | (2) |
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201 | (3) |
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204 | (1) |
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6 The War Years and Emancipation |
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205 | (18) |
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208 | (4) |
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MUSIC IN THE CONFEDERATE ARMY |
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212 | (1) |
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MUSIC IN THE CONTRABAND CAMP |
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212 | (2) |
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214 | (9) |
PART THREE BLOW YE THE TRUMPET 1865-1919 |
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223 | (142) |
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223 | (42) |
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224 | (3) |
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DISSEMINATION OF THE SPIRITUALS |
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227 | (4) |
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The Fisk Jubilee Singers and Other Student Groups |
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227 | (4) |
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Professional Jubilee Singers |
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231 | (1) |
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BLACK ETHIOPIAN MINSTRELSY |
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231 | (13) |
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231 | (2) |
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233 | (4) |
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237 | (7) |
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244 | (9) |
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244 | (4) |
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Male Vocalists and Ensembles |
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|
248 | (1) |
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Concert Instrumental Artists |
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249 | (3) |
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252 | (1) |
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253 | (3) |
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FESTIVALS AND EXTRAVAGANZAS |
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256 | (1) |
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BRASS BANDS AND DANCE ORCHESTRAS |
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257 | (2) |
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258 | (1) |
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258 | (1) |
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OTHER MUSICAL ORGANIZATIONS |
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259 | (1) |
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ITINERANT AND COMMUNITY MUSICIANS |
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|
259 | (2) |
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261 | (1) |
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MUSIC OF THE BLACK CHURCH, III |
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262 | (3) |
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Hymn Writers and Collectors |
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263 | (2) |
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265 | (48) |
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THE GENERAL STATE OF MUSIC |
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266 | (1) |
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|
267 | (15) |
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Nationalistic Music of Black Composers |
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268 | (14) |
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282 | (5) |
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282 | (1) |
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Concert Violinists and Pianists |
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283 | (3) |
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286 | (1) |
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287 | (4) |
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SYMPHONY ORCHESTRAS, OPERA COMPANIES, AND CHORAL SOCIETIES |
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291 | (5) |
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291 | (3) |
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Opera Companies and Choral Societies |
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294 | (2) |
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THEATERS AND THEATER MUSIC |
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296 | (2) |
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298 | (2) |
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Black Showmen and the Circus |
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300 | (1) |
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VAUDEVILLE AND MUSICAL COMEDIES |
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300 | (3) |
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MUSICALS ON AND OFF BROADWAY |
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303 | (2) |
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The Walker and Williams Company |
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304 | (1) |
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BLACK ENTERTAINERS ABROAD |
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305 | (1) |
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306 | (1) |
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307 | (2) |
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307 | (1) |
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308 | (1) |
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EARLY RECORDINGS OF BLACK MUSICIANS |
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|
309 | (2) |
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PROFESSIONAL ORGANIZATIONS |
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311 | (1) |
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311 | (2) |
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The National Association of Negro Musicians |
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311 | (2) |
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313 | (52) |
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THE GENERAL STATE OF MUSIC |
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313 | (1) |
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314 | (18) |
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317 | (2) |
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319 | (3) |
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322 | (6) |
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328 | (3) |
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Ragtime Elements in the Music of White Composers |
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331 | (1) |
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332 | (8) |
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333 | (1) |
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Characteristics of the Blues |
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333 | (5) |
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338 | (2) |
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BRASS BANDS AND STRING BANDS |
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340 | (11) |
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Brass Bands and Dance Orchestras in New Orleans |
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342 | (3) |
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Syncopated Orchestras in New York |
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345 | (5) |
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Syncopated Orchestras in Chicago and Other Cities |
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350 | (1) |
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351 | (6) |
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354 | (1) |
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355 | (2) |
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357 | (8) |
PART FOUR Lift Every Voice 1920-1996 |
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365 | (246) |
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365 | (39) |
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367 | (2) |
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369 | (9) |
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Early Black Recording Companies |
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370 | (1) |
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371 | (3) |
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374 | (4) |
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378 | (5) |
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383 | (2) |
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385 | (4) |
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389 | (4) |
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PRINCIPAL JAZZ INSTRUMENTALISTS |
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393 | (2) |
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|
395 | (1) |
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395 | (5) |
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JAZZ WOMEN AS BANDLEADERS |
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400 | (1) |
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401 | (1) |
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401 | (2) |
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403 | (1) |
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11 The Harlem Renaissance and Beyond |
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|
404 | (62) |
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THE GENERAL STATE OF MUSIC IN THE NATION |
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|
406 | (2) |
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|
408 | (10) |
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414 | (3) |
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Concert Artists in Mid-Career |
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417 | (1) |
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418 | (6) |
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|
420 | (4) |
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COMPOSERS AND COMPOSER/EDUCATORS |
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424 | (11) |
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Dean of Afro-American Composers |
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431 | (4) |
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BLACK MUSICALS ON BROADWAY |
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|
435 | (7) |
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|
442 | (1) |
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THE FEDERAL ARTS PROJECTS |
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|
443 | (1) |
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THE MEDIA: FILMS AND RADIO |
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|
444 | (1) |
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CONCERTS, FESTIVALS, AND OPERAS |
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|
445 | (6) |
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|
451 | (1) |
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|
452 | (14) |
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|
452 | (1) |
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Music in the Black Folk Church |
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453 | (1) |
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454 | (1) |
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Shape-Note Singing and The Sacred Harp |
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455 | (1) |
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456 | (4) |
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460 | (1) |
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461 | (1) |
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462 | (4) |
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12 The Mid-Century Decades |
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466 | (57) |
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467 | (4) |
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The Great Lakes Experience |
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468 | (2) |
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470 | (1) |
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Regimental Bands and Choruses |
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470 | (1) |
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|
471 | (3) |
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EDUCATING THE BLACK COMMUNITY |
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|
474 | (1) |
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|
475 | (12) |
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Gospel Composers/Performers |
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478 | (5) |
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|
483 | (1) |
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Milestones in Gospel History |
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|
484 | (3) |
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|
487 | (18) |
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|
487 | (7) |
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|
494 | (3) |
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Innovations of the Seventies |
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497 | (3) |
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500 | (2) |
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|
502 | (2) |
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|
504 | (1) |
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|
504 | (1) |
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|
505 | (5) |
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The Mississippi Delta Blues |
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506 | (1) |
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|
507 | (1) |
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Blues Styles in Other Places |
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|
508 | (1) |
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Blues in Europe and Festivals |
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|
508 | (1) |
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509 | (1) |
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Library of Congress Recordings |
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|
509 | (1) |
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|
510 | (13) |
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|
511 | (2) |
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|
513 | (1) |
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|
513 | (4) |
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|
517 | (1) |
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|
518 | (4) |
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|
522 | (1) |
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13 Singers, Instrumentalists, and Composers |
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|
523 | (44) |
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|
523 | (1) |
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Pianists and Other Instrumentalists |
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|
524 | (1) |
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Symphony Orchestra Players and Conductors |
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|
525 | (4) |
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|
529 | (11) |
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The Concert/Opera Singers |
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|
534 | (2) |
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|
536 | (1) |
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|
537 | (3) |
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540 | (21) |
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543 | (12) |
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The Society of Black Composers |
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|
555 | (5) |
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Composers and Synthesizers |
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|
560 | (1) |
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BLACK MUSICALS ON BROADWAY |
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|
561 | (3) |
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OTHER FORMS OF THEATER MUSIC |
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|
564 | (1) |
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|
565 | (2) |
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14 Currents in Contemporary Arenas |
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|
567 | (44) |
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JAZZ IMPROVISERS AND COMPOSERS |
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|
568 | (1) |
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569 | (1) |
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570 | (2) |
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572 | (1) |
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|
573 | (1) |
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|
574 | (2) |
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"CLASSICAL" COMPOSERS AND IMPROVISERS |
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|
576 | (2) |
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|
578 | (1) |
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COMMUNITY-BASED MUSIC GROUPS |
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|
579 | (3) |
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580 | (1) |
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|
581 | (1) |
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|
582 | (2) |
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|
584 | (1) |
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|
584 | (2) |
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SYMPHONY ORCHESTRAS: THE CONDUCTORS |
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|
586 | (1) |
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SYMPHONY INSTRUMENTALISTS |
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|
587 | (1) |
|
SYMPHONY OF THE NEW WORLD |
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|
588 | (1) |
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|
589 | (5) |
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|
589 | (1) |
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Celebration at Lincoln Center |
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|
589 | (1) |
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|
590 | (1) |
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|
591 | (1) |
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|
592 | (1) |
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|
592 | (1) |
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|
592 | (2) |
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|
594 | (2) |
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|
596 | (7) |
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|
596 | (1) |
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|
596 | (1) |
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|
597 | (1) |
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|
598 | (5) |
|
WOMEN IN BLACK CHURCH MUSIC |
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|
603 | (1) |
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|
604 | (4) |
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Hymnals and Performance Practice |
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|
604 | (2) |
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|
606 | (2) |
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|
608 | (1) |
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|
609 | (2) |
Bibliography And Discography |
|
611 | (104) |
GENERAL REFERENCES |
|
613 | (4) |
THE AFRICAN LEGACY |
|
617 | (1) |
EIGHTEENTH AND EARLY NINETEENTH CENTURIES |
|
618 | (2) |
THE NINETEENTH CENTURY |
|
620 | (6) |
NINETEENTH-CENTURY COLLECTIONS: MUSIC SCORES |
|
626 | (1) |
THE TWENTIETH CENTURY |
|
626 | (7) |
TWENTIETH-CENTURY COLLECTIONS: MUSIC SCORES |
|
633 | (1) |
PERIODICALS |
|
634 | (1) |
BIOGRAPHIES |
|
634 | (11) |
SOUND RECORDINGS |
|
645 | (2) |
INDEX |
|
647 | |