Preface |
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xxv | |
Acknowledgments |
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xxix | |
PART ONE: PRE-COLUMBIAN PERIOD TO 1800 |
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3 | (2) |
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Native-American Songs, Ritual Poetry, and Lyric Poetry (Pre-1492--1800) |
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5 | (27) |
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The Tree of the Great Peace [Iroquois] |
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6 | (1) |
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Sayatasha's Night Chant [Zuni] |
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7 | (20) |
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27 | (1) |
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28 | (1) |
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Song of Repulse to a Vain Lover [Makah] To'ak |
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28 | (1) |
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Formula to Secure Love [Cherokee] |
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28 | (1) |
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Formula to Cause Death [Cherokee] A'yunini, or the Swimmer |
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29 | (1) |
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30 | (1) |
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Song of War [Chippewa] Odjib'we |
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31 | (1) |
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Song for Bringing a Child into the World [Seminole] |
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31 | (1) |
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Song for the Dying [Seminole] |
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31 | (1) |
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Gaspar Perez De Villagra (1555--1620) |
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32 | (10) |
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From Historia de la Nueva Mexico/The History of New Mexico Canto Primero/Canto 1 |
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33 | (9) |
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Anne Bradstreet (ca. 1612--1672) |
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42 | (25) |
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43 | (2) |
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An Epitaph on My Dear and Ever Honored Mother |
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45 | (1) |
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46 | (1) |
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47 | (8) |
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55 | (3) |
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To Her Father with Some Verses |
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58 | (1) |
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To My Dear and Loving Husband |
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58 | (1) |
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A Letter to Her Husband, Absent upon Public Employment |
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59 | (1) |
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Before the Birth of One of Her Children |
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60 | (1) |
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In Reference to Her Children |
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60 | (3) |
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For Deliverance from a Fever |
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63 | (1) |
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In Memory of My Dear Grandchild Elizabeth Bradstreet |
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64 | (1) |
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Verses upon the Burning of Our House |
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64 | (2) |
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66 | (1) |
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Michael Wigglesworth (1631--1705) |
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67 | (8) |
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68 | (7) |
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Edward Taylor (ca. 1642--1729) |
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75 | (18) |
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From Preparatory Meditations |
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77 | (1) |
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Meditation 8 (First Series) |
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78 | (1) |
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Meditation 16 (First Series) |
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79 | (2) |
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Meditation 22 (First Series) |
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81 | (1) |
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Meditation 39 (First Series) |
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82 | (2) |
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Meditation 42 (First Series) |
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84 | (1) |
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Meditation 150 (Second Series) |
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85 | (1) |
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From God's Determinations |
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86 | (1) |
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Upon a Spider Catching a Fly |
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87 | (2) |
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Upon a Wasp Chilled with Cold |
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89 | (1) |
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90 | (1) |
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Upon Wedlock, and Death of Children |
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91 | (2) |
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Lucy Terry (ca. 1730--1821) |
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93 | (2) |
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94 | (1) |
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Philip Freneau (1752--1832) |
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95 | (9) |
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97 | (2) |
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On the Emigration to America and Peopling the Western Country |
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99 | (1) |
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100 | (1) |
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The Indian Burying Ground |
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101 | (2) |
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On Mr. Paine's Rights of Man |
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103 | (1) |
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Phillis Wheatley (ca. 1753--1784) |
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104 | (11) |
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On Being Brought from Africa to America |
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106 | (1) |
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To the University of Cambridge, in New England |
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107 | (1) |
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On the Death of the Rev. Mr. George Whitefield, 1770 |
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108 | (1) |
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109 | (2) |
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To the Right Honourable William, Earl of Dartmouth |
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111 | (2) |
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To S. M., a Young African Painter, on Seeing His Works |
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113 | (1) |
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To His Excellency General Washington |
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114 | (1) |
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115 | (6) |
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116 | (5) |
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Songs of the American Revolution and New Nation |
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121 | (20) |
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122 | (1) |
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123 | (1) |
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124 | (1) |
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The King's own Regulars; And their Triumphs over the Irregulars |
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125 | (2) |
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The Irishman's Epistle to the Officers and Troops at Boston |
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127 | (1) |
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The Yankee's Return from Camp |
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128 | (2) |
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The Public Spirit of the Women |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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When Good Queen Elizabeth Governed the Realm |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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134 | (5) |
PART TWO: EARLY TO MID-NINETEENTH CENTURY |
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139 | (2) |
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African-American Slave Songs (1800--1863) |
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141 | (6) |
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142 | (1) |
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143 | (1) |
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Michael Row the Boat Ashore |
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144 | (1) |
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Nobody Knows the Trouble I've Had |
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145 | (1) |
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146 | (1) |
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There's a Meeting Here To-Night |
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146 | (1) |
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Native-American Songs, Ritual Poetry, and Lyric Poetry (1800--1900) |
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147 | (12) |
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From The Mountain Chant [Navajo] |
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148 | (1) |
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Last Song of the Exploding Stick |
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149 | (1) |
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From The Night Chant [Navajo] |
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149 | (1) |
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150 | (1) |
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150 | (3) |
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Song of the Earth [Navajo] |
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153 | (2) |
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The Dancing Speech of O-No'-Sa [Iroquois] |
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155 | (1) |
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You and I Shall Go [Wintu] |
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155 | (1) |
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Minnows and Flowers [Wintu] |
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155 | (1) |
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156 | (1) |
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156 | (1) |
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156 | (1) |
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157 | (1) |
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[The Father Says So] [Sioux] |
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157 | (1) |
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[Give Me Back My Bow] [Sioux] |
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157 | (1) |
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[The Whole World Is Coming] [Sioux] |
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158 | (1) |
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Lydia Howard Huntley Sigourney (1791--1865) |
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159 | (3) |
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159 | (2) |
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161 | (1) |
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William Cullen Bryant (1794--1878) |
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162 | (11) |
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164 | (2) |
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166 | (1) |
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167 | (3) |
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A Scene on the Banks of the Hudson |
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170 | (1) |
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171 | (1) |
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172 | (1) |
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George Moses Horton (ca. 1797--1883) |
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173 | (2) |
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173 | (2) |
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Jane Johnston Schoolcraft [Bame-Wa-Wa-Ge-Zhik-A-Quay, Woman of the Stars Rushing Through the Sky] (1800--1841) |
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175 | (2) |
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To Sisters on a Walk in the Garden, after a Shower |
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176 | (1) |
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From The Forsaken Brother, a Chippewa Tale Neesya, neesya, shyegwuh gushuh/My brother, my brother |
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176 | (1) |
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Sarah Helen Whitman (1803--1878) |
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177 | (5) |
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179 | (2) |
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181 | (1) |
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182 | (1) |
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Ralph Waldo Emerson (1803--1882) |
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182 | (38) |
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185 | (1) |
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185 | (2) |
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187 | (1) |
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187 | (1) |
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188 | (3) |
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191 | (2) |
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193 | (3) |
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Ode, Inscribed to W. H. Channing |
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196 | (4) |
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200 | (1) |
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200 | (1) |
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201 | (1) |
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202 | (17) |
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219 | (1) |
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Elizabeth Oakes Smith (1806--1893) |
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220 | (1) |
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221 | (1) |
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Henry Wadsworth Longfellow (1807--1882) |
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221 | (38) |
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226 | (1) |
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227 | (1) |
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The Wreck of the Hesperus |
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228 | (3) |
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231 | (1) |
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232 | (1) |
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233 | (2) |
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235 | (1) |
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236 | (2) |
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The Jewish Cemetery at Newport |
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238 | (3) |
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From The Song of Hiawatha |
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241 | (7) |
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248 | (5) |
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The Landlord's Tale: Paul Revere's Ride |
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253 | (3) |
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256 | (1) |
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257 | (1) |
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257 | (1) |
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The Tide Rises, the Tide Falls |
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258 | (1) |
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258 | (1) |
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John Greenleaf Whittier (1807--1892) |
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259 | (35) |
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Massachusetts to Virginia |
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261 | (4) |
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265 | (1) |
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266 | (4) |
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270 | (2) |
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272 | (22) |
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Edgar Allan Poe (1809--1849) |
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294 | (35) |
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298 | (1) |
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299 | (1) |
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299 | (1) |
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300 | (1) |
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301 | (1) |
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302 | (2) |
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304 | (1) |
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305 | (4) |
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309 | (3) |
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312 | (1) |
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313 | (2) |
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315 | (1) |
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315 | (3) |
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318 | (2) |
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The Philosophy of Composition |
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320 | (9) |
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Oliver Wendell Holmes (1809--1894) |
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329 | (12) |
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330 | (1) |
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331 | (2) |
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The Deacon's Masterpiece, or The Wonderful One-Hoss Shay |
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333 | (4) |
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337 | (4) |
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Abraham Lincoln (1809--1865) |
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341 | (5) |
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My Childhood Home I See Again |
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343 | (3) |
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Margaret Fuller (1810--1850) |
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346 | (4) |
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347 | (3) |
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Frances Sargent Locke Osgood (1811--1850) |
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350 | (5) |
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351 | (1) |
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352 | (1) |
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353 | (1) |
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The Hand That Swept the Sounding Lyre |
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354 | (1) |
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Ada [Sarah Louisa Forten] (ca. 1814--1898) |
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355 | (3) |
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The Slave Girl's Farewell |
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356 | (1) |
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357 | (1) |
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Henry David Thoreau (1817--1862) |
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358 | (5) |
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359 | (2) |
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361 | (1) |
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361 | (1) |
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My life has been the poem I would have writ |
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362 | (1) |
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362 | (1) |
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Between the traveller and the setting sun |
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362 | (1) |
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Julia Ward Howe (1819--1910) |
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363 | (2) |
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Battle Hymn of the Republic |
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364 | (1) |
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Herman Melville (1819--1891) |
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365 | (11) |
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From Battle-Pieces and Aspects of the War The Portent |
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367 | (1) |
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368 | (1) |
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369 | (1) |
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A Utilitarian View of the Monitor's Fight |
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370 | (1) |
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371 | (1) |
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372 | (1) |
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373 | (1) |
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374 | (1) |
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374 | (1) |
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375 | (1) |
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James Russell Lowell (1819--1891) |
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376 | (4) |
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377 | (2) |
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379 | (1) |
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379 | (1) |
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Walt Whitman (1819--1892) |
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380 | (89) |
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384 | (48) |
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There Was a Child Went Forth |
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432 | (2) |
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Out of the Cradle Endlessly Rocking |
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434 | (5) |
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As I Ebb'd with the Ocean of Life |
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439 | (2) |
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441 | (1) |
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442 | (1) |
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Once I Pass'd through a Populous City |
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442 | (1) |
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Facing West from California's Shores |
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443 | (1) |
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As Adam Early in the Morning |
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443 | (1) |
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443 | (1) |
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444 | (1) |
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445 | (1) |
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445 | (1) |
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445 | (1) |
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I Saw in Louisiana a Live-Oak Growing |
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446 | (1) |
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Here the Frailest Leaves of Me |
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446 | (1) |
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446 | (1) |
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When I Heard the Learn'd Astronomer |
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447 | (1) |
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447 | (1) |
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448 | (2) |
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Vigil Strange I Kept on the Field One Night |
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450 | (1) |
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Bivouac on a Mountain Side |
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451 | (1) |
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When Lilacs Last in the Dooryard Bloom'd |
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451 | (7) |
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458 | (1) |
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458 | (1) |
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A Noiseless Patient Spider |
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459 | (1) |
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459 | (9) |
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The Dalliance of the Eagles |
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468 | (1) |
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468 | (1) |
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469 | (2) |
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470 | (1) |
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471 | (1) |
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Frederick Goddard Tuckerman (1821--1873) |
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471 | (6) |
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472 | (1) |
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473 | (4) |
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477 | (4) |
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478 | (2) |
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480 | (1) |
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Frances Ellen Watkins Harper (1825--1911) |
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481 | (16) |
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484 | (1) |
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485 | (1) |
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486 | (1) |
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487 | (1) |
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The Slave Mother, a Tale of the Ohio |
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488 | (2) |
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490 | (2) |
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492 | (1) |
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492 | (2) |
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494 | (1) |
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495 | (2) |
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Maria White Lowell (1827--1853) |
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497 | (7) |
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498 | (3) |
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501 | (1) |
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502 | (2) |
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Rose Terry Cooke (1827--1892) |
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504 | (12) |
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505 | (1) |
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506 | (1) |
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507 | (1) |
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508 | (1) |
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509 | (2) |
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511 | (3) |
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514 | (1) |
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515 | (1) |
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John Rollin Ridge (1827--1867) |
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516 | (2) |
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517 | (1) |
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Henry Timrod (1828--1867) |
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518 | (1) |
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518 | (1) |
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Hawai'ian Plantation Work Songs (1825--1930) |
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519 | (4) |
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Uya Anma/My Mother Dear Nae Nakasone |
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521 | (1) |
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521 | (1) |
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The Five O'Clock Whistle! |
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522 | (1) |
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Hole Hole Bushi/Stripping Leaves from Sugarcane |
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523 | (1) |
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Jinshan Ge/Songs of Gold Mountain (1838--1920) |
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523 | (1) |
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[Jinshan Fu Xing]/Song of the Wife of a Gold Mountain Man |
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524 | (1) |
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Popular European-American Songs |
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524 | (13) |
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525 | (1) |
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Bury Me Not on the Lone Prairie |
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526 | (1) |
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527 | (1) |
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528 | (1) |
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The Battle Cry of Freedom |
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528 | (1) |
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Tenting on the Old Camp Ground |
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529 | (1) |
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When Johnny Comes Marching Home |
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530 | (1) |
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Come Home, Father Henry Clay Work |
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530 | (1) |
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I'll Take You Home Again, Kathleen |
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531 | (1) |
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From America, the Beautiful Katherine Lee Bates |
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532 | (3) |
PART THREE: LATER NINETEENTH CENTURY |
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535 | (2) |
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537 | (3) |
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538 | (2) |
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540 | (2) |
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Mejico libre ha de ser/Mexico will be free Merced J. de Gonzales |
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540 | (1) |
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En la antigua Roma habia/In ancient Rome there stood Filomena Ibarra |
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541 | (1) |
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Dewitt Clinton Duncan [Too-Qua-Stee] (1829--1909) |
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542 | (3) |
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544 | (1) |
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Helen Hunt Jackson (1830--1885) |
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545 | (3) |
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546 | (1) |
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546 | (1) |
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547 | (1) |
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Emily Dickinson (1830--1886) |
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548 | (41) |
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I never lost as much but twice |
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552 | (1) |
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Success is counted sweetest |
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552 | (1) |
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These are the days when birds come back |
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553 | (1) |
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The daisy follows soft the sun |
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553 | (1) |
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554 | (1) |
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``Faith'' is a fine invention |
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554 | (1) |
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I taste a liquor never brewed |
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555 | (1) |
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555 | (1) |
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556 | (1) |
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Wild nights - Wild nights! |
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557 | (1) |
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There's a certain slant of light |
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557 | (1) |
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I felt a funeral in my brain |
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558 | (1) |
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I'm ceded - I've stopped being their's |
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559 | (1) |
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It was not death, for I stood up |
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559 | (1) |
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A bird came down the walk |
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560 | (1) |
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The soul has bandaged moments |
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561 | (1) |
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After great pain a formal feeling comes |
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562 | (1) |
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This world is not conclusion |
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562 | (1) |
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One need not be a chamber to be haunted |
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563 | (1) |
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The soul selects her own society |
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564 | (1) |
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I had been hungry all the years |
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564 | (1) |
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565 | (1) |
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565 | (1) |
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I died for beauty but was scarce |
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566 | (1) |
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566 | (1) |
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I was the slightest in the house |
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567 | (1) |
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Because I could not stop for death |
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567 | (1) |
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568 | (1) |
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This is my letter to the world |
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569 | (1) |
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For largest woman's heart I knew |
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569 | (1) |
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I heard a fly buzz when I died |
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569 | (1) |
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The brain is wider than the sky |
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570 | (1) |
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Much madness is divinest sense |
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570 | (1) |
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571 | (1) |
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I started early - took my dog |
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571 | (1) |
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|
572 | (2) |
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Pain has an element of blank |
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|
574 | (1) |
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My life had stood a loaded gun |
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|
574 | (1) |
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Publication is the auction |
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|
575 | (1) |
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This consciousness that is aware |
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|
575 | (1) |
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Color - caste - denomination |
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576 | (1) |
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She rose to his requirement - dropt |
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577 | (1) |
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Under the light yet under |
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577 | (1) |
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A narrow fellow in the grass |
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|
578 | (1) |
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578 | (1) |
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Tell all the truth but tell it slant |
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579 | (1) |
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What mystery pervades a well! |
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579 | (1) |
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580 | (1) |
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My life closed twice before it's close |
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580 | (1) |
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To Susan Gilbert (Dickinson) (June 27, 1852) |
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581 | (1) |
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To Samuel Bowles (About February 1861) |
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582 | (1) |
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To recipient unknown (About 1861) |
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|
582 | (2) |
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To Thomas Wentworth Higginson (April 15, 1862) |
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|
584 | (1) |
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To Thomas Wentworth Higginson (April 25, 1862) |
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585 | (1) |
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To Thomas Wentworth Higginson (June 7, 1862) |
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|
586 | (1) |
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To Thomas Wentworth Higginson (July 1862) |
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587 | (1) |
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To Otis P. Lord (About 1878) |
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|
588 | (1) |
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To Susan Gilbert Dickinson (About 1884) |
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588 | (1) |
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Adah Isaacs Menken (ca. 1835--1868) |
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589 | (6) |
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|
591 | (2) |
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|
593 | (1) |
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|
594 | (1) |
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Sarah M. B. Piatt (1836--1919) |
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595 | (10) |
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597 | (1) |
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598 | (1) |
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|
599 | (1) |
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600 | (1) |
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|
601 | (2) |
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603 | (1) |
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|
604 | (1) |
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Lydia Kamakaeha [Queen Lili'Uokalani] (1838--1917) |
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605 | (5) |
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Aloha `Oe/Farewell to Thee |
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606 | (1) |
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Ku'u Pua I Paoa-ka-lani/My Flower at Paoa-ka-lani |
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607 | (1) |
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608 | (2) |
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Ina Coolbrith (1841--1928) |
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610 | (7) |
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611 | (1) |
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612 | (1) |
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The Captive of the White City |
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612 | (3) |
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615 | (1) |
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|
615 | (2) |
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Sidney Lanier (1842--1881) |
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617 | (4) |
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618 | (3) |
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Emma Lazarus (1849--1887) |
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621 | (10) |
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623 | (1) |
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624 | (1) |
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624 | (2) |
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626 | (1) |
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627 | (1) |
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628 | (1) |
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629 | (1) |
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630 | (1) |
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|
630 | (1) |
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Sarah Orne Jewett (1849--1909) |
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631 | (2) |
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632 | (1) |
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Albery Allson Whitman (1851--1901) |
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633 | (13) |
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635 | (11) |
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Edwin Markham (1852--1940) |
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646 | (3) |
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647 | (2) |
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649 | (1) |
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|
649 | (1) |
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649 | (7) |
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From Versos sencillos/Simple Verses |
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|
650 | (6) |
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Ernest Francisco Fenollosa (1853--1908) |
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656 | (3) |
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658 | (1) |
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659 | (1) |
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Louise Imogen Guiney (1861--1920) |
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659 | (4) |
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660 | (2) |
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|
662 | (1) |
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Mary McNeil Fenollosa (1865--1954) |
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663 | (3) |
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|
664 | (1) |
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|
665 | (1) |
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Owl Woman [Juana Manwell] (1867--1957) |
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|
666 | (3) |
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From Songs for Treating Sickness, Parts One and Two |
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|
667 | (2) |
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Sadakichi Hartmann (1867--1944) |
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|
669 | (7) |
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Cyanogen Seas Are Surging |
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|
671 | (1) |
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|
672 | (2) |
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|
674 | (2) |
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|
676 | (1) |
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Edgar Lee Masters (1868--1950) |
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676 | (3) |
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From Spoon River Anthology |
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|
677 | (1) |
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|
678 | (1) |
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|
679 | (1) |
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W. E. B. Du Bois (1868--1963) |
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679 | (6) |
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|
680 | (3) |
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|
683 | (1) |
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|
684 | (1) |
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William Vaughn Moody (1869--1910) |
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|
685 | (8) |
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|
685 | (1) |
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An Ode in Time of Hesitation |
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|
686 | (7) |
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Edwin Arlington Robinson (1869--1935) |
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|
693 | (13) |
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|
695 | (1) |
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The Children of the Night |
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696 | (1) |
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|
697 | (1) |
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|
698 | (1) |
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|
699 | (1) |
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|
700 | (1) |
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|
701 | (1) |
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|
702 | (1) |
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|
703 | (1) |
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|
704 | (2) |
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Stephen Crane (1871--1900) |
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|
706 | (6) |
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From The Black Riders and Other Lines |
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|
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1 (``Black riders came from the sea'') |
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|
707 | (1) |
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|
707 | (1) |
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9 (``I stood upon a high place'') |
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|
708 | (1) |
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|
708 | (1) |
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24 (``I saw a man pursuing the horizon'') |
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|
708 | (1) |
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27 (``A youth in apparel that glittered'') |
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|
709 | (1) |
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46 (``Many red devils ran from my heart'') |
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|
709 | (1) |
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56 (``A man feared that he might find an assassin'') |
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|
710 | (1) |
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76 (``Do not weep, maiden, for war is kind'') |
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|
710 | (1) |
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96 (``A man said to the universe'') |
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|
711 | (1) |
|
Posthumously Published Poems |
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|
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113 (``A man adrift on a slim spar'') |
|
|
711 | (1) |
|
James Weldon Johnson (1871--1938) |
|
|
712 | (3) |
|
O Black and Unknown Bards |
|
|
713 | (1) |
|
|
714 | (1) |
|
Paul Laurence Dunbar (1872--1906) |
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|
715 | (14) |
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|
718 | (1) |
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|
719 | (1) |
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|
719 | (1) |
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|
720 | (1) |
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|
720 | (3) |
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|
723 | (1) |
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|
723 | (1) |
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|
724 | (1) |
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|
724 | (1) |
|
|
725 | (1) |
|
|
725 | (2) |
|
|
727 | (1) |
|
|
728 | (1) |
About the Editors |
|
729 | (2) |
Index |
|
731 | |