
Photography For Dummies
by Hart, Russell-
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Summary
Author Biography
Table of Contents
Introduction | p. 1 |
About This Book | p. 1 |
Conventions Used in This Book | p. 2 |
Foolish Assumptions | p. 2 |
What You Can Skip | p. 3 |
How This Book Is Organized | p. 3 |
Icons Used in This Book | p. 5 |
Where to Go from Here | p. 6 |
What You Need to Take Pictures | p. 7 |
Ladies and Gentlemen: Start Your Point-and-Shoots! | p. 9 |
The Four Types of Point-and-Shoot Cameras | p. 10 |
The Parts of Your Camera | p. 11 |
Getting a Charge: The Pluses and Minuses of Batteries | p. 13 |
Loading Film--the Painless Way! | p. 21 |
Turning the Camera On--and Off Again | p. 30 |
Get a Grip: Holding Your Camera | p. 31 |
Rewinding Film (Congratulations!) | p. 33 |
How to Pick the Best Film | p. 39 |
Finding a Film That's Your Type | p. 40 |
A Question of Speed | p. 46 |
How Long a Roll Should You Buy? | p. 52 |
Which Brand Should You Buy? | p. 55 |
Making Your Photofinisher Work for You | p. 59 |
Some Day My Prints Will Come | p. 60 |
Types of Photofinishers | p. 64 |
How to Get Good Prints | p. 68 |
Finding a Good Photofinisher | p. 70 |
Photo Communications 101 | p. 72 |
Things That Can Go Wrong--and Do | p. 74 |
Second Time Around: Getting Reprints | p. 80 |
The Match Game: Finding the Right Negative for a Reprint | p. 82 |
Getting Enlargements | p. 85 |
The Electronic Photofinishing Revolution | p. 88 |
Print Vending: The Photo Kiosk | p. 89 |
Working with Your Point-and-Shoot | p. 93 |
Pictures a la Mode | p. 95 |
Button, Button, Where is the Button? | p. 95 |
Mastering Your Camera's Modes | p. 97 |
Merrily We Toggle Along | p. 98 |
Millions of Modes? | p. 101 |
Getting in the Mode | p. 117 |
Seeing through Your Camera | p. 119 |
Changing the Picture | p. 120 |
Angling for Better Pictures | p. 123 |
Going Wide--and Long | p. 126 |
The Four Types of Point-and-Shoot Cameras--This Time by Their Lenses! | p. 137 |
Focus Pocus: The Lens and Optical Magic | p. 141 |
The Sharper Image: How Autofocus Works | p. 142 |
Autofocus versus Fixed-Focus | p. 143 |
Advanced Placement: Using the Focus Point | p. 144 |
Far and Away: When to Use Infinity Lock | p. 149 |
Extra Points: Widening Your Autofocus Horizon | p. 150 |
The Commandments of Good Autofocusing | p. 152 |
A Flash of Inspiration | p. 157 |
Autoflash Mode: No-Fault Photo Insurance | p. 158 |
Buttoning Down Flash | p. 160 |
Fill-Flash Mode: Out of the Shadows | p. 161 |
Flash-Off Mode: To Flash or Not to Flash | p. 167 |
Slow-Sync Mode: The Flashiest Kind of Flash | p. 171 |
Red-Eye Reduction: Getting the Red Out | p. 175 |
Simplifying the Advanced Photo System | p. 179 |
Advanced Photo System Advantages | p. 180 |
Shape Shifter: APS Print Formats | p. 180 |
Artistic License: APS Printing and Reprinting | p. 185 |
Dropping In: How to Load APS Film | p. 188 |
Conscious Choice: Types of APS Film | p. 189 |
Information, Please: APS Printing Refinements | p. 190 |
The Art Part | p. 191 |
Seeing the Light | p. 193 |
How Light Creates Mood and Atmosphere | p. 194 |
Brilliant Strategies: Coping with Hard Light | p. 198 |
Moment by Moment: Waiting for the Right Light | p. 202 |
Case by Case: Working with Specific Kinds of Light | p. 205 |
Suitable for Framing: How to Compose a Good Photograph | p. 213 |
Composition Rules! | p. 214 |
Aiming versus Framing | p. 214 |
Big and Bigger: Filling the Frame | p. 217 |
Zooming versus Moving | p. 217 |
Near and Far: Balancing Foreground and Background | p. 221 |
Dynamic Imbalance: Composing Off-Center | p. 223 |
Low and High: Changing Your Angle | p. 224 |
Creative Shuffle: Shifting Sideways for Clarity | p. 225 |
Rotating the Frame: Horizontals versus Verticals | p. 226 |
Working the Subject | p. 227 |
Shoot to Thrill | p. 229 |
Capturing Your Life: How to Keep a Photographic Diary | p. 231 |
Why Take Pictures? | p. 232 |
Sharing Pictures Is Half the Fun | p. 233 |
Film Is Cheap, and Digital Photos Are Cheaper | p. 234 |
A Time and Place: When to Shoot | p. 235 |
What You Need for Great People Photos | p. 237 |
From Candid to Formal: Expression and Gesture | p. 238 |
Instant Light: Using Flash for People Pictures | p. 250 |
Pretty as a Picture: Zoom Settings for Portraits | p. 250 |
Love at First Shot: Photographing Children | p. 252 |
The Cat in the Hat: Photographing Pets | p. 258 |
Visual Heirlooms: Photos as Family History | p. 260 |
Ten Lame Excuses for Not Taking Along Your Camera (And Why They're Lame) | p. 263 |
Capture the Action | p. 265 |
You Don't Need Fancy Equipment to Shoot Action | p. 265 |
Your Dawdling Point-and-Shoot | p. 266 |
Anticipating Action: The Art of Prefocusing | p. 267 |
Different Strokes: Frozen or Blurred Action? | p. 270 |
Tips for Better Action-Freezing | p. 274 |
Beyond Sports: Be a Clutch Photographer | p. 283 |
Scene Stealing: Making Effective Landscape Photos | p. 285 |
Finding Landscapes Close to Home | p. 286 |
Taking in the View: The Lens and Landscapes | p. 287 |
Mastering the View: Landscapes and Composition | p. 290 |
Shaping Your Print to the Landscape | p. 293 |
People Power: Adding a Sense of Scale | p. 295 |
Finding the Right Light | p. 296 |
Exploring Seasonal Changes | p. 296 |
The Urban Scene: Cityscapes are Landscapes | p. 298 |
Have Camera, Will Travel | p. 301 |
Planning Your Trip with Pictures in Mind | p. 302 |
Weather, Light, and Sites: Researching Your Destination | p. 302 |
Packing for Pictures: What to Bring | p. 304 |
Scenes from a Voyage: What to Shoot, and How | p. 311 |
The Digital Domain | p. 317 |
Getting to Know Your Digital Point-and-Shoot | p. 319 |
The Digital Details | p. 320 |
How Many Megapixels Do You Really Need? | p. 325 |
Setting the Resolution | p. 326 |
The Viewing Screen | p. 330 |
Viewfinder versus Viewing Screen | p. 331 |
The Viewing Screen and Your Camera's Battery Life | p. 333 |
What's on the Menu? | p. 335 |
Using the Menu to Change Settings and Choose Modes | p. 338 |
Taking Pictures with Your Digital Point-and-Shoot | p. 340 |
When to Erase Pictures? | p. 340 |
Downloading from a Digital Point-and-Shoot | p. 341 |
What to Do with Digital Pictures? | p. 345 |
Getting Pictures into Your Computer--Without a Digital Camera | p. 346 |
Imaging Software: Digital Magic | p. 351 |
Getting Prints from Your Digital Picture Files | p. 352 |
Archiving Pictures from Your Digital Point-and-Shoot | p. 356 |
The Part of Tens | p. 359 |
Ten Things to Think about When Buying a Point-and-Shoot Camera | p. 361 |
Don't Buy More Camera Than You Need | p. 362 |
How Much Do You Want to Spend? | p. 362 |
Who Will Be Using the Camera? | p. 363 |
What Subjects Will the User Be Shooting? | p. 363 |
Do You Want a Digital Camera or a Film Camera? | p. 364 |
Do You Want a 35mm Point-and-Shoot or an APS Point-and-Shoot? | p. 366 |
Do You Want a Zooming or Nonzooming Model? | p. 366 |
What Zoom Range Do You Need? | p. 367 |
What Features Do You Want? | p. 368 |
Is the Camera Comfortable to Hold and Operate? | p. 368 |
Is the Viewfinder Easy to Look Through? | p. 369 |
How About the Viewing Screen? | p. 370 |
Ten Simple Ways to Make Your Pictures Better | p. 371 |
Capture the Moment | p. 372 |
Don't Use the Viewfinder like a Gun Sight | p. 372 |
Get Close | p. 372 |
Shoot from a Low or High Angle | p. 373 |
Use Flash Outdoors | p. 373 |
Use a Fast Film | p. 373 |
Place the Main Subject Off-Center | p. 374 |
Move from Side to Side | p. 374 |
Experiment with the Horizon Line | p. 374 |
Take Lots of Pictures | p. 374 |
Ten Great Places to Take Pictures | p. 375 |
Chincoteague Island, Eastern Shore, Virginia | p. 376 |
Cadillac Ranch, Amarillo, Texas | p. 376 |
Bryce Canyon National Park, Utah | p. 377 |
Las Vegas, Nevada | p. 377 |
White Birch Forest, Pictured Rocks National Lakeshore, Michigan | p. 378 |
The Staten Island Ferry, Battery Park, New York | p. 378 |
Paradise Meadow, Mount Rainier National Park, Washington | p. 379 |
Lucy the Elephant, Margate City, New Jersey | p. 379 |
The Santuario de Nuestra Senor de Esquipulas, Chimayo, New Mexico | p. 380 |
Anhinga Trail, Everglades National Park, Florida | p. 380 |
Ten Things to Try If Your Camera Won't Shoot | p. 381 |
Turn the Camera On Correctly | p. 382 |
Reload the Film | p. 382 |
Insert to Replace the Memory Card | p. 382 |
Replace or Recharge the Battery | p. 382 |
Make Sure the Battery Is Correctly Installed | p. 383 |
Clean the Battery Contacts | p. 383 |
Check the Flash-Ready Lamp | p. 384 |
Step Back from the Subject | p. 384 |
Make Sure Your Digital Camera Has Finished Saving the Previous Picture | p. 385 |
Rewind the Film and Insert a New Roll | p. 385 |
Photospeak: A Short Glossary | p. 387 |
Manufacturers, Distributors, and Retailers | p. 395 |
Index | p. 399 |
Table of Contents provided by Ingram. All Rights Reserved. |
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