Acknowledgments |
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1 | (5) |
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1 | (1) |
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2 | (2) |
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Before We Begin: A Liberal View of Rock History |
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4 | (2) |
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6 | (25) |
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Overview: The Early Fifties |
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6 | (2) |
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8 | (3) |
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Musical Close-Up: The Elements of Music |
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11 | (7) |
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18 | (2) |
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Musical Close-Up: Instrumentation in Rock and Roll |
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20 | (6) |
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26 | (1) |
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Musical Close-Up: The Twelve-Bar Blues |
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27 | (4) |
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The Emergence of Rock and Roll |
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31 | (14) |
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Overview: Crossovers and Covers |
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31 | (2) |
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Bill Haley and the Comets |
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33 | (1) |
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34 | (7) |
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Musical Close-Up: Rhythm in Early Rock and Roll |
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41 | (4) |
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Rock and Roll: Fifties Style |
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45 | (35) |
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Overview: Three Basic Trends Emerge |
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45 | (8) |
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53 | (4) |
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57 | (1) |
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58 | (2) |
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60 | (3) |
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63 | (3) |
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66 | (6) |
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72 | (3) |
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Musical Close-Up: Is Soft Rock Really Rock? |
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75 | (5) |
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Transition: The Early 1960s |
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80 | (18) |
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Overview: The Fragmentation of the Market |
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80 | (3) |
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The Beginnings of the Folk Music Trend |
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83 | (5) |
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88 | (4) |
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92 | (2) |
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Musical Close-Up: Musical Texture and the Beach Boys |
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94 | (4) |
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98 | (48) |
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Overview: Revolution within a Revolution |
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98 | (2) |
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100 | (8) |
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Beatlemania---American Style |
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108 | (3) |
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The Middle Period: Experimentation |
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111 | (7) |
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The Later Beatles: Revolution |
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118 | (15) |
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Musical Close-Up: The Technical Side of the Beatles' Music |
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133 | (13) |
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146 | (29) |
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Overview: The British Are Coming! |
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146 | (2) |
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148 | (16) |
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164 | (4) |
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Musical Close-Up: The Musical Style of the Rolling Stones |
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168 | (7) |
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175 | (20) |
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Overview: The Youth Generation of the 1960s |
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175 | (2) |
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177 | (5) |
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182 | (2) |
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184 | (2) |
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186 | (2) |
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188 | (3) |
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Musical Close-Up: The Song Style of Bob Dylan |
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191 | (4) |
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195 | (27) |
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Overview: Soul Music: Its Definition and History |
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195 | (3) |
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198 | (3) |
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201 | (2) |
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203 | (5) |
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208 | (8) |
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Diana Ross and the Supremes |
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216 | (2) |
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Musical Close-Up: Melody and the Soul Singer |
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218 | (4) |
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222 | (20) |
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Overview: America Counters the British Invasion |
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222 | (3) |
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225 | (2) |
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227 | (3) |
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230 | (2) |
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Other San Francisco Groups |
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232 | (1) |
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Acid Rock Outside San Francisco |
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233 | (5) |
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Musical Close-Up: The Art of Improvisation |
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238 | (4) |
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242 | (16) |
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Overview: A Tale of Sibling Rivalry and Its Resolution |
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242 | (2) |
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244 | (4) |
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248 | (3) |
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251 | (1) |
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Musical Close-Up: An Analysis of ``Symphony for the Devil/Sympathy for the Devil'' (Blood, Sweat, and Tears) |
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252 | (6) |
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258 | (26) |
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Overview: Rock as a ``Legitimate'' Musical Vocabulary |
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258 | (2) |
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260 | (2) |
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Rock Operas and Theatrical Works |
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262 | (6) |
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Nontheatrical Art Rock by Unaccompanied Rock Groups |
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268 | (9) |
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Musical Close-Up: An Analysis of ``Karn Evil 9'' by Emerson, Lake, and Palmer |
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277 | (7) |
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284 | (27) |
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Overview: The Decade of Nondirection |
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284 | (3) |
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Mainstream Trends of the 1970s |
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287 | (11) |
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Mainstream Rock in the Eighties |
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298 | (5) |
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Mainstream Rock Beyond the Eighties |
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303 | (3) |
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Musical Close-Up: A Look at Rock Lyrics |
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306 | (5) |
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The Continuing Fragmentation of Rock |
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311 | (47) |
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Overview: Substyles of the 1960s Evolve into the 1970s and Beyond |
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311 | (1) |
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Art Rock Evolves into Progressive Rock |
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312 | (4) |
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Jazz Rock Evolves into Fusion |
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316 | (5) |
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The Singer-Songwriters of the 1970s |
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321 | (8) |
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Country Rock and Progressive Country |
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329 | (10) |
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The ``Jam Band'' Phenomenon |
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339 | (6) |
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Soft Rock Continues to Evolve |
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345 | (5) |
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Musical Close-Up: Country or Rock? |
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350 | (8) |
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358 | (20) |
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Overview: ``We're Not Gonna Take It Anymore'' |
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358 | (1) |
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British Heavy Metal Evolves |
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359 | (4) |
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363 | (4) |
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367 | (8) |
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Musical Close-Up: Meter in Heavy Metal and Alternative Rock |
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375 | (3) |
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378 | (28) |
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Overview: The Selling of Rock---Changes in the 1980s and 1990s |
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378 | (6) |
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The Return of Dance Music |
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384 | (1) |
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385 | (3) |
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388 | (4) |
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392 | (3) |
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Dancing through the 1990s and Beyond |
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395 | (4) |
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399 | (4) |
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Musical Close-Up: The Anatomy of Disco |
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403 | (3) |
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406 | (21) |
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Overview: Technology, the Internet, and the Music Industry |
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406 | (4) |
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410 | (5) |
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415 | (4) |
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419 | (2) |
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421 | (2) |
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Musical Close-Up: Expressive Musical Performance---Rhythmic Delivery of Rap |
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423 | (4) |
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427 | (36) |
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Overview: Boomers and Post-Boomers |
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427 | (3) |
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Alternative Rock: The Problem of Definitions |
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430 | (2) |
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The Beginnings of Alternative Rock: The 1970s |
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432 | (2) |
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Punk Movements: A Return to the Basics |
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434 | (7) |
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441 | (1) |
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Punk II: Post-Punk Hardcore |
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442 | (8) |
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450 | (1) |
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Punk III: Neo-Punk Propels Rock into the New Millennium |
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451 | (2) |
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453 | (3) |
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Musical Close-up: Alternative Views of Alternative Rock |
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456 | (7) |
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An Overview and an Editorial |
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463 | (14) |
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Overview: Eight Basic Statements |
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463 | (8) |
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471 | (2) |
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473 | (2) |
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475 | (2) |
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477 | (9) |
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A Basic Recorded Library of Rock and Roll |
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477 | (1) |
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478 | (6) |
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484 | (2) |
Bibliography |
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486 | (7) |
Index |
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493 | |