LIST OF ILLUSTRATIONS |
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xi | |
INTRODUCTION: THE LONG VIEW |
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1 | (12) |
PART I. THE MIDDLE AGES: FROM THE EARLIEST TEXTS TO 1470 |
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13 | (84) |
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15 | (16) |
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31 | (66) |
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31 | (3) |
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Inventing love poetry: the songs of the troubadours |
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34 | (7) |
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The three matières and the move from history to fiction |
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41 | (4) |
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Courtliness and the rise of romance |
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45 | (3) |
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48 | (4) |
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Clerks, jongleurs, and townspeople |
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52 | (5) |
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Prose: history, romance, and the Grail |
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57 | (5) |
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Treatises, encyclopedias, and compilation in the thirteenth century |
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62 | (3) |
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The Roman de la rose and the allegorical tradition |
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65 | (4) |
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From the grand chant courtois to the formes fixes: the French lyric at its height |
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69 | (6) |
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The dit amoureux: between lyric and history |
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75 | (5) |
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80 | (2) |
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Humanism, didacticism, licence and death |
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82 | (5) |
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The 'Querelle du Roman de la rose' and 'La belle dame sans mercy' |
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87 | (2) |
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Theatre in the late Middle Ages |
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89 | (3) |
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The future of a poet with a past: François Villon |
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92 | (5) |
PART II. THE EARLY MODERN PERIOD: 1470-1789 |
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97 | (96) |
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99 | (14) |
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113 | (80) |
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From Burgundy to the French court: Jean Lemaire de Belges |
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113 | (3) |
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Rabelais: Pantagruel and Gargantua |
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116 | (2) |
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Religious controversy and literature: the circle of Marguerite de Navarre |
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118 | (4) |
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122 | (1) |
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Poetry: (i) from Marot to Labé |
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123 | (6) |
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129 | (4) |
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The late sixteenth century: Montaigne's Essais |
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133 | (5) |
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New directions in the early seventeenth century |
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138 | (1) |
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Poetry: (iii) Malherbe and his contemporaries |
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139 | (2) |
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Questions of language and style |
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141 | (2) |
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143 | (2) |
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Theatre: Corneille and his times |
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145 | (3) |
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Descartes and Pascal: the mid-century turn |
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148 | (4) |
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Literature and power in the age of Louis XIV |
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152 | (2) |
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Questions of psychology and ethics |
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154 | (4) |
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158 | (6) |
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164 | (4) |
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The end of a reign: literature at the turn of the century |
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168 | (1) |
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The letter-form: Montesquieu, Voltaire, Graffigny |
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169 | (4) |
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The philosophes in action: the Encyclopédie |
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173 | (3) |
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Rousseau: autobiography and fiction |
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176 | (4) |
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The sentimental and the erotic |
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180 | (5) |
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Diderot: the philosophe and his double |
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185 | (4) |
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189 | (4) |
PART III. THE MODERN PERIOD: 1789-2000 |
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193 | (122) |
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195 | (13) |
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208 | (107) |
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Literature and political action |
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208 | (2) |
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210 | (3) |
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213 | (2) |
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215 | (3) |
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218 | (3) |
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221 | (3) |
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Prose fiction prepares for victory |
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224 | (2) |
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226 | (2) |
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228 | (3) |
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231 | (6) |
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Writing by women, 1830-1880 |
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237 | (4) |
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Theatre in the nineteenth century |
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241 | (3) |
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Literature before the law |
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244 | (1) |
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Flaubert's war on stupidity |
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245 | (2) |
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Literature and science: the case of 'Naturalism' |
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247 | (3) |
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250 | (3) |
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253 | (5) |
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Literature and war: 1914-18 |
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258 | (2) |
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260 | (4) |
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264 | (3) |
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Prose fiction between the wars |
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267 | (4) |
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The twentieth century's Voltaire: Jean-Paul Sartre |
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271 | (3) |
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Literature and war: 1939-45 |
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274 | (5) |
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The fortunes of the modern novel |
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279 | (6) |
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Writing by women in the twentieth century: a long revolution |
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285 | (7) |
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Theatre in the twentieth century |
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292 | (5) |
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Poetry in the later twentieth century |
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297 | (4) |
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301 | (5) |
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Beyond the literary profession |
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306 | (3) |
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The Revolution remembered |
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309 | (4) |
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A final note, in which the story does not end |
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313 | (2) |
POSTFACE |
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315 | (2) |
SUGGESTIONS FOR FURTHER READING |
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317 | (8) |
SOURCES OF QUOTATIONS |
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325 | (8) |
INDEX |
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333 | |